OPERA
 THEATRE MUSIC
  ORCHESTRAL
   CHORAL
     VOCAL
        CHAMBER

OPERAS BY STEPHEN EDDINS

Paranoia: A Psycho-Opera  (based on “We Who Are Your Closest    Friends,” by Phillip Lopate), for four singers and chamber ensemble. 1998. 8’
   Produced by Caterwaul, University of Michigan School of Music, 1998

The Doll’s House  (Vincent de Tourdonnet), opera suggested by the story    by Katherine Mansfield, for soprano, mezzo-soprano and piano. 2000.  4’
   Productions:
   Tapestry New Opera Works, Toronto, 2000 and 2001
   Theatre Non Nobis, at The Factory Studio Theatre, Toronto, as part of       Snappy Tales: Short Satirical Musicals, 2002
   Talk is Free Theatre, at The Cerridwen Theatre, Barrie, ON, as part of       Snappy Tales: Short Satirical Musicals, 2004

Why I Live at the P.O.  chamber opera in one act, based on the story    by Eudora Welty; libretto by Michael O’Brien and Stephen Eddins (in    progress)
   Performances:
   Workshop performance of Prologue, Scenes 1 & 2, Tapestry New Opera       Works and Actors’ Equity, Toronto, 2001
   Semi-staged performance of Scenes from “Why I Live at the P.O.”        University of Michigan Concert Band, Rodney Dorsey, conductor, with       faculty and student soloists at Hill Auditorium, Ann Arbor, 2009


 

 

 

 

 

 

 

Why I Live at the P.O. Opera

HOME    ABOUT    MUSIC    WHY I LIVE   COMMISSION    CONTACT
                  AT THE P.O.       MUSIC